During December I finally got around to what had for a while been on my mental to-do list for a while, namely to change the front covers for the e-book versions of both the Nameless War and the Landfall Campaign. I was never entirely happy with my first efforts and as a consequence of my ongoing Ships of the Fleet project my 3D modelling skills are definitely better now than they were three years ago. I did wonder whether this would have any effect on actual sales.
And the answer a month and a bit down the line is…. maybe.
December probably wasn’t the best time to undertake this change if I wanted to try to study the effects of this change. Over Christmas a lot of new e-reader devices hit the market simultaneously and obviously that has an effect on sales. Still my sales, which after the glory days of just after the launch of book two, had been bobbling along at under a hundred per month, close to doubled. Also I did notice that my Amazon ranking has on average improved. But a lot of different and in many cases uncontrollable factors could be coming in play. So far so ambiguous.
The relevant the cover art for e-books – given that the image will be the size of a postage stamp on the screen of an e-reader – is subject to debate but the whole exercise has got me thinking. The conventional advice is that you get everything right before publishing. But in the case of cover art is there a right answer?
Below is one of my childhood favorites. The edition I read was one on the left, the one on the right is I assume the current edition.
So, same book, same title, same author, different cover; or perhaps we should say different branding.
Back in the days of yore (so ten years at most) when books only existed in dead tree format, they would get printed in runs of hundreds to thousands, depending on expected popularity. If the book did well enough to justify further runs then every so often a new edition would be prepared with a new cover.
Why update at all? If the cover on the left was judged good enough in the seventies or eighties when the copy I read was presumably printed, then what’s wrong with it now?
Well obviously times have moved on. Styles and expectations changed but also the familiar can slowly become the ignored. No publisher wants their titles to lie gathering dust and an old familiar cover become easier for the book buyer to pass over on route to something newer and shinier. This applies to really everything that can be bought and sold, so even if the product remains unchanging, the wrapping needs to be refreshed every so often.
But returning to e-books. As I’ve said before, once an e-book hits the digital shelves it could potentially stay there forever. Unlike the finite shelving of a physical bookshops there is no space limitation. But this means that a given title is in competition with every other book available and with each new year thousands more books will join it. Again, as I have said before, the self publisher has to think into the long term. At the very least a the cover art will likely have to rejuvenated every few years to keep up with style changes. But should we be thinking in terms of ‘the very least’?
Unlike physical books the digital cover could, if the mood took you, be changed on an almost daily basis. Now that would probably be over the top but perhaps the self publisher should be thinking in terms of having two or three covers and cycling through them every six to twelve months. Just enough for them not to fade into background.
I’m not selling this idea as part of the next get-rich-quick self publishing scheme. I have no evidence to back this line of thought up. But possibly it is something to be added to the self publishers tool box. If you want to compare my old cover to the new, the links to Amazon below are the new, I haven’t got round to updating the Smashwords.
The Nameless War, available on Kindle, Smashwords, Kobo and paperback.
The Landfall Campaign, available on Kindle, Kobo, Smashwords and paperback.
The Job Offer, available on Kindle Kobo and Smashwords